The Impact of Outlander on My Interest in Historical Fiction
Outlander, a television series that began airing in 2014, had the potential to be a groundbreaking exploration of Scottish history, mythology, and the clash between the modern and the ancient. Unfortunately, the show’s descent into misogynistic fantasies and inaccurate representations of battle sequences has not only disappointed fans but also set a regressive tone in historical fiction and non-fiction content related to Scotland and beyond.
Engaging with Historical Fiction and Non-Fiction
My initial interest in reading historical fiction and non-fiction books emerged from a fascination with the intricate tapestry of Scotland’s past, blending the reality of history with the imaginative storytelling found in literary works. Books like Kaye Edwards' “Highland Lore” and Diana Gabaldon’s "Outlander" series provided a gateway to exploring historical narratives.
Outlander was a primary driver for my interest. The vivid descriptions and immersive storytelling of the time periods featured in the show, particularly the Scottish Highlands during the 18th century and the 1940s, sparked an intense curiosity about history. The show’s blend of romance, adventure, and historical events promised a rich and engaging narrative. However, as the series progressed, it became clear that the writing of Mrs. Diana Gabaldon deviated from reality in ways that were not only unsatisfying but also potentially harmful.
Disappointment in Outlander’s Inaccuracies
The writer's sexual fantasies added a disconcerting and unrealistic element to the show that detracted from the historical accuracy and authenticity that fans were seeking. These elements are not only out of place in a period drama but also present a biased and patriarchal view of women’s roles in the 18th century. The focus on intimate scenes that were not grounded in historical evidence did not fulfill the promise of a narrative that could educate and engage its audience with genuine histories.
Furthermore, the portrayal of the Battle of Culloden in Outlander was dramatically and inaccurately depicted. Culloden was the last pitched battle fought on British soil and a pivotal moment in Scottish history. The battle sequences in the show did not align with historical accounts, which portrayed the Scottish Jacobite forces as more strategic and resourceful. Instead, the show’s depiction aligned more closely with revisionist accounts that downplayed the Scottish side and presented the cleavage in a manner that was factually inaccurate and, at times, anti-Scottish.
The Misleading Influence of Revisionist Historians
Outlander’s reliance on certain historians has led to a distorted narrative that prioritizes revisionist viewpoints over factual ones. Revisionist historians, often from England or with colonial sympathies, have shaped the fictional narrative in ways that perpetuate stereotypes and biases. This has not only misrepresented the events of Culloden but also other significant time periods, such as the Jacobite risings and the Highland Clearances. The show’s failure to provide a nuanced and balanced perspective on these events has hindered its educational potential and contributed to a broader misunderstanding of Scottish history.
On the other hand, I have turned to other historical fiction and non-fiction books that offer a more accurate and comprehensive view of Scottish history. Works like “The Highland Clearances” by Karin Ingredients and “AHistory of Scotland” by J. Wormald provide deeper insights into the social, political, and economic contexts that shaped Scotland. Reading these books has allowed me to understand the broader narrative and context beyond the simplistic and romanticized portrayal in Outlander.
Conclusion: Navigating Historical Truth and Fiction
The shortcomings of Outlander serve as a cautionary tale about the importance of balance in historical storytelling. While it is understandable that historical fiction and drama will include creative liberties, the necessity of accuracy and respect for the past is critical. This means avoiding gratuitous sexual content that distracts from the historical narrative and ensuring that the portrayal of significant events, like Culloden, is as close to historical truth as possible.
Ultimately, Outlander may have been an entry point for me into the world of historical fiction and non-fiction, but it also highlighted the need to seek out more reliable and nuanced sources. If you are interested in exploring Scottish history, I would recommend looking for works that prioritize factual accuracy and offer a well-rounded understanding of the period. This ensures that you can enjoy the richness of the past without being misled by inaccuracies.